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The Language Of Stone

The Language Of Stone

The Great Sphinx of Giza is probably the world's best known relic from the distant past. It is shrouded in mystery. Indeed to many it is mystery itself.

The Sphinx is not built with quarried blocks like the pyramids and temples it guards, but carved out of the living bedrock. Its makers gave it a man's head (some say it's a woman) and the body of a lion. It is 66 feet high and an impressive 240 feet long. It has the most extraordinary expression, like a hundred Mona Lisas all rolled into one. And it eyes gaze forever at the distant horizon due east, at the equinox something not of this world but beyond it, in the sky. Something, perhaps, that is reflected or 'frozen' in the essence and age of the Sphinx.

Nothing can prepare a first-time visitor for the awe-inspiring and humbling experience of meeting the Great Sphinx face to face. No matter who you are, no matter what your disposition and temperament are, the Great Sphinx of Giza will not leave you unmoved. John Anthony West is a man who knows this phenomenon well. He has stood in the shadow of this great statue many a time since he started visiting Egypt some thirty years ago. To him the Sphinx had always appeared as a monument apart, and much, much older than anything else he had seen either at Giza or elsewhere.

West's strong 'gut feeling' had rarely let him down. One day, while reading a book on Egypt by the French author and mathematician Schwaller de Lubicz (Sacred Science, Paris 1961) an answer to his intuitive hunch came shooting straight at him. Schwaller made a passing remark on what appeared to be water erosions on the body of the Sphinx. Turning to a close up photograph of the Sphinx, West suddenly realised that the weathering patterns on the Sphinx were not horizontal as seen on other monuments at Giza, but vertical. Now horizontal weathering is the result of prolonged exposure to strong winds and sandstorms. There sure had been plenty of those in this arid region of the Sahara. Could water have caused the vertical weathering on the Sphinx? Water from where?

Something, clearly, was worth investigating here. West knew, of course, that most Egyptologists believed that the Sphinx was built in 2500 BC in the time of the pharaoh Chephren (of Khafre), who is identified with the Second Pyramid at Giza. He also knew that this belief was now so entrenched that it would take an intellectual bulldozer to tug it out. Yet his study had shown him that this believe was more a dogma than any-thing else. He asked himself if a proof-positive identification between Khafre and the Sphinx would stand in an 'open court' under public scrutiny?

The answer was no. The reason was, quite simply, this. There was no inscriptions - not a single one - either carved on a wall or a stela or written on the throngs of papyri that identified Khafre (or anyone else, for that matter) with the construction of the Sphinx and its nearby temples. As for the proximity of Khafre's pyramid to the Sphinx (in fact it is 1700 feet away) this did not prove that both monuments were built as one complex nor, more relevantly, at the same epoch. By such standards future generations of archaeologists may one day allocate ownership of the Sphinx to the builder of the Sound & Light theatre because of its proximity to the Sphinx complex or - as someone else has put it - attribute St. Paul's Cathedral to General Gordon of Khartoum just because his statue was found in it. In short, Khafre may well be the quintessential 'Kilroy was here' of antiquity. So could the Sphinx be much older than the reign of Khafre, as West had long suspected it was? Could this hypothesis explain, for example, the strange vertical weathering on the statue?

In 1991 John West rounded a crack team of scientists who were not hampered by an ingrained Egyptological consensus, and took them to Giza. Along came Dr. Robert Schoch, a prominent geologist and professor from Boston University to examined the unique weathering patterns on the Sphinx and its enclosure. His conclusions, which came after several months of analysis, was to convulse the world of archaeology. The vertical weathering patterns on the Sphinx and its enclosure, Schoch argued, were not caused by wind effect, as had previously been thought, but by water - water from torrential rains and pouring down in sheets over these ancient structures. But how could this be? Was Schoch saying that such heavy rains only fell on the Sphinx area but nowhere else at Giza?

That was impossible, retorted the Egyptologists. Not impossible, said Schoch, if it is conceded that the Sphinx was built at an epoch when such rains were common in this region but that the other monuments at Giza, however, were built long after these rains had stopped occurring. Again impossible, replied the ruffled Egyptologists; such heavy rains stopped occurring thousands of years before the time of Khafre. Schoch politely shrugged his shoulders. This, he answered, was not his problem.

The usual was to happened. John West was branded a charlatan and a sensation-seeker, and Schoch was politely shunned for not minding his own business and for stepping on the Egyptological turf. John West, however, was relentless. True, he did not have the lofty credentials of his learned opponents, but this did not deter him in the least. Scientific logic was on his side, not credentials. He was now determined more than ever to see that the Egyptologists either prove him wrong with equal or better scientific arguments or concede that he, and not they, was right about the age of the Sphinx. Anything less would be short change.

To be fair, the implications of West's theory are, of course, far-reaching. History books will have to be re-written and scientists will have to reconsider the origins of civilisation as a whole. Well, so be it. Progress worked like that. In any case, it had been done many times before. It could be done again. Yet going about to prove that the Sphinx was much older than Khafre was one thing. The question was, how much older exactly? How could science determine the true age of a stone monument?

Astronomy Joins The Sphinx Debate

In 1989 I published a paper in the Oxford Journal, Discussions In Egyptology (vol. 13), in which I demonstrated that the three Great Pyramids and their relative position to the Nile created on the ground a sort of 3-D 'hologram' of the three stars of Orion's belt and their relative position to the Milky Way. To support this contention, I brought into evidence the inclined shaft in the Great Pyramid which were aimed at the south meridian towards these group of stars as well as written evidence from the Pyramid Texts that identified the afterlife destiny of the pyramid-kings with Orion.

Later in my book The Orion Mystery (Heinemann-Mandarin) I also demonstrated that the best fit for the Giza Pyramids/Nile pattern with the Orion's belt/Milky Way pattern occurred when the sky was pushed back in time (i.e. precessed) to the epoch of 10,500 BC. There were good reasons for doing so.

The ancient Egyptians, for example, constantly refer to a remote golden age they called Zep Tepi, 'The First Time' of Osiris, which they believed had long predated the Pyramid Age. Osiris was Orion, and the Great Pyramid had a shaft directed to Orion at the meridian. To me, this 'silent' astro-architectural language seemed to be spelling out 'here is Osiris in the sky when these pyramids were built, yet know, too, that his origins are rooted in the First Time.' But The 'First Time' of what? How could the stars of Orion have a 'First Time'?

Well they can. And they do. Provided, of course, that you can read through the allegorical 'language' of the ancients via the symbolic architecture and the related Pyramid Texts. Allegory, to put it in another way, is the 'Q-Basics' of the master astronomers who designed the Giza complex. When the stars of Orion are observed at the meridian in the precise manner that the ancient Egyptian astronomers did over many centuries, the could not help noting that these stars crossed the south meridian at different altitudes at different epoch. This is, of course, due to the phenomenon of Precession (see The Orion Mystery, appendices 1 and 2). In short, the stars of Orion can be said to have a starting point or 'beginning' at the nadir of their precessional cycle. Simple calculations show that this occurred in 10,500 BC. Could the ancient astronomers of the Pyramid Age have used their very clever 'silent language' combined with Precession to freeze the 'First Time' of Osiris - somewhat like the gifted architects of gothic cathedral froze in its allegorical stonework the 'time of Christ'?

In the summer of 1993 Graham Hancock and I got together to investigate this issue further. Graham was quick to realised the important implications this approach could have on the Sphinx problem. He had a hunch that the curious harking back to the epoch of 10,500 BC by the pyramid builders of Giza was an invitation by them to consider the actual age of the Sphinx. If this hypothesis was correct, then the Sphinx must be an 'original' time-marker of that remote epoch using an obvious celestial tag valid for 10,500 BC. But which tag? What could the Sphinx be representing that was in the sky? Could this have something to do with the due east direction of its gaze towards the horizon?

In his ground-breaking book Fingerprints of the Gods (Heinemann-Mandarin), Hancock pointed out that the 'First Time' date of 10,500 BC also denoted the beginning or 'First Time' of the Age of Leo. This was when the 'lion' constellation would have risen heliacally (at dawn before the sun) on the day of the spring (vernal) equinox. This event brought the celestial lion to rest due east, thus in perfect alignment with the Sphinx. The Sphinx, in other words, was made to look at his own image in the horizon - and consequently at his own 'time'. Hancock pointed out that 10,500 BC was no random date. It very precisely denoted another beginning, that of Orion-Osiris defined on the ground with the pattern and alignments of the nearby Pyramids.

Here, then, were not just the Pyramids but also the Sphinx luring us to the same date of 10,500 BC. But were we dealing with a 'coincidence' -albeit an astonishing one- or was all this part of a deliberate long term scheme set by the ancients? Could it be possible that some blueprint was put into motion in 10,500 BC with the making of the Sphinx then to be completed much later by the builders of the Pyramids? Was there evidence of a continuous presence here at Giza through the ages of some master 'astronomers' who could have been responsible to see this scheme through?

If so, who were they? Where had they come from? Why here at Giza? Graham and I have spent the last two years researching this fascinating issue. We believe that what we have uncovered will change the perceptions of what Giza was (and still is) forever. The full results of our investigation, as you might have guessed, are laid out in our new book, Keeper of Genesis, available now at a discount through AA&ES. Suffice at this stage to say that author Colin Wilson, who gave the book an early review, thinks it's 'a much more satisfying tour de force' than Fingerprints of the Gods or The Orion Mystery. Meanwhile let us take a look at an intriguing archaeological discovery near the Sphinx that has very recently made the news.

A Lucky Turn Of The Spade

In October 1995 the Egyptian Antiquities Organisation finally decided to refurbish the old parking lot east of the Sphinx. While clearing the area in front of the Sphinx and the Valley Temple, a 'lucky turn of the spade' from one of the labourers unearthed part of an ancient complex of underground galleries and pathways. Hearing of this providential discovery, Graham Hancock and I planned a short trip to Egypt to see for ourselves what was going on. John Anthony West also was on his way there, and so we decided to meet directly at Giza. When we arrived there we found the place swarming with activity.

Several gangs of labourers and masons were digging and clearing the area in front of the Sphinx and its temples. By a stroke of good fortune the Egyptian authorities had not yet cordoned this area, so we asked one of the inspectors in charge if we could take a closer look. It was a little difficult to tell what exactly was happening here. No one seemed to be sure. It looked as if part of the area had already been excavated some years ago but then, for reasons unknown, it was covered up again.

This was evident by the botches of modern mortar and iron bars that were left embedded in the ceiling of the ancient pathways, probably in an attempt to underpin or reinforce the relics. An inspector standing by seemed to think that these modern-day additions were made either when Egyptologist Selim Hassan was clearing the area for the Egyptian Antiquity Organisation in the 1930s or, perhaps, later in the 1950s when the Sons Et Lumieres open-air theatre was constructed nearby. But why the vestiges were covered up again, and why and how they came to be forgotten remains a mystery.

These vestiges consisted of a major artery cut into the natural bedrock (some 10 feet wide and 200 feet long from north to south) which runs in front of the Valley Temple and the Sphinx. This artery is itself intersected by two paved pathways coming from the Valley Temple and going due east -much like two small roads bridge over a straight motorway. These pathways very oddly dip at their eastern end and then vanished into the ground. We also noticed a very curious manhole set in the main artery at the point where it intersects the southern pathway. It's lid, which is made from a single piece of limestone, is broken at one corner and through it we could see water flowing (mixed with the sewage from the nearby village) and heading towards the Sphinx and the Valley Temple.

The whole complex was obviously very ancient and almost certainly contemporary with the Sphinx. But what could its function be? And what was the purpose of the underground waterway? According to a prominent Ancient Egyptian myth, the legendary gates of the Afterworld were guarded by two gigantic lions or sphinxes called Aker. In New Kingdom tomb drawings the aker-sphinx of the eastern gate sits proud with its hind parts in a hollow. Underneath it can be seen an curious underground stream or duct. Behind the lion towers a huge mound or pyramid and under it is found a large, oval chamber which appears to be hermetically sealed.

In this mysterious chamber it said to be some lofty secret, no doubt from the 'gods' who ruled the land of Egypt during the remote epoch of Zep Tepi -'The First Time'. This strange chamber was called the 'House of Sokar' in Rostau. The resemblance with the Sphinx complex at Giza is uncanny. Giza in ancient time was also called Rostau, and Sokar (a hawk-headed deity) was identified to Osiris. Odd coincidences? Perhaps.

Or will astronomy make 'a lucky turn of the spade' that will convert this supposedly cosmic myth into an historical reality? Stay tuned.


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